This was one of the most ambitious films I've had the joy to work on, and every one of the crew shot above the moon to make this the best possible project. For my part, I was the on-set audio, video editor, and VFX artist.
Some of the greatest challenges this film presented are ones that we worked hard to remove from the final product. Jeremiah Adams (our sound engineer) and I worked to remove on-set disturbances and re-add audio through foley work. Utilizing the "Poor Man's Process," the car scenes were brought to life inside a warehouse with a mixture of lighting and VFX removal & corrections.